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gateway

by Xiang

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1.
Aura 05:40
2.
Influxes 10:10
3.
Leap 06:20
4.
Plexi 08:00
5.
Polymorphous 08:10

about

田野录音/人声采样/接触式话筒/键盘/合成器
田野录音:2016-2018 成都、新都、峨眉山、巴黎、拉格朗德默特
人声采样:大卫林奇拍摄《橡皮头》的故事和《双峰镇》第三季第八集
合成器:Korg MS20 Mini/Korg SQ-1/57mm synth by John Richards and Max Wainwright 

Field recording/vocal sample/contact microphone/keyboard/synthesizer 
Field Recording: 2016-2018 Chengdu, Xindu, Emei Mountain, Paris, La Grande Motto
Vocal Sample: <Eraserhead> Stories by David Lynch and <Twin Peaks> Season 3 episode 8
Synthesizer: Korg MS20 Mini/Korg SQ-1/57mm synth by John Richards and Max Wainwright
响
出生并生活在成都。
声音工作者,声波能量受体;基于动态平衡,擅长建造一或多重感知融合的场景。
创作涉及田野录音、电子原声作曲、由听觉而生的行为、实验等。
也擅长组织策划;有"九号电解质"、“移涌”、“未踏”等项目。

Xiang
Born and live in Chengdu, China.
A classifier for noises, a receptor for sounds' energy.
A dynamic balance, an affection for creating scenes of one or multiple perceptions.
Its creation involves field recording, electroacoustic composition, performance and experiment from aural sense.
An organizer. Projects include 'ACIX IX', 'eon' and 'vital'.

母带处理:Cedrik Fermont  2018 柏林
1972年出生于卢本巴希,生活在柏林的比利时作曲家、音乐人、母带工程师、作家。从1989年开始创立电台,并经营关于噪音、电子及实验音乐的厂牌。他主要专注于研究来自亚洲和非洲的电子、电子原声、实验及噪音音乐。
Mastered by: Cedrik Fermont  2018  Berlin
(born 1972 in Lubumbashi, Zaire/DR Congo) is a Belgian composer, musician, mastering engineer, author, radio host and label manager who operates in the field of noise, electronic and experimental music since 1989. He lives in Berlin (Germany). His main research focuses on electronic, electroacoustic, experimental and noise music from Asia and Africa. 

Xiang从小在古典音乐的熏陶下成长,大学赴德两年,被电子音乐的能量所吸引,此后渐渐成长为一名非常优秀的DJ,她想将个人对声音的敏锐直觉和感受在现场呈现给大家,风格以techno、minimal为主,一直活跃在国内俱乐部音乐场景中。她曽参与创办的电子音乐厂牌“atmen”也是成都俱乐部文化的中流砥柱,2016年,和厂牌的创办者之一Su出现在Boiler Room的北京站现场。
2016年,Xiang开始实质性地探索更多元的声音世界,田野录音,电子原声,行为,诗歌。但其实在做DJ之前,她就已经对声音产生了很大兴趣,是因为在柏林参加了一次Thomas Gerwin组织的声音博览会,受到很大影响。回国后去各地演出都会随身带着一个录音机,采集各种声音。她更享受田野录音的过程。但当时更多的还是兴趣,之后开始把这些声音素材运用在平时的创作和现场演出中。
“我对田野录音的关注越来越多,也越来越细。开始尝试从主观性的创作过渡到更加客观的声音呈现。我想,田野录音正在逐渐改变我的聆听习惯和方式,也在不断培养我对声音的感知力。” 
“除了田野录音,低频在这张专辑中也是比较重要的部分。因为低频(60赫兹以下)一直是我特别喜欢的声音频段,持续不断的振动让人进入无限的宁静中,接下来,似乎什么声音都没有了。这样的振动和田野录音一样,都是特别真实的存在。”

credits

released October 10, 2018

Mastering:Cedrik Fermont
Cover Design:VU

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Prajnasonic Atmospheres Beijing, China

ambient music projects and branch from prajnasonic records label
www.prajnasonic.com

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